黑料吃瓜网

The English Department is proud to host the sixth annual Scheingold Lecture in Poetry and Poetics, featuring Javier Zamora and Ricardo Ruiz.

History is subjective. The dominant version of history upheld in museums on this continent is told from the perspective of the colonial settler cultures who projected their values and ideals onto the Indigenous people and landscape of North America. Cree artist Kent Monkman discusses his interventions in museums that have taken form as commissioned paintings, curated exhibitions, videos, and site specific performances. Monkman will also discuss his 2019 commission for the Metropolitan Museum of Art, New York – a diptych of two monumental history paintings for the Great Hall and the creation of a new performance piece.

Registration opens March 13, 2022.

The architecture and gardens of the Katsura Imperial Villa 桂離宮 live on today as a paradigm of Japanese arts and cultures.

Speakers TBA

Dr. Angela Fang is an Assistant Professor in the Department of Psychology at the 黑料吃瓜网.
Professor Adam Guastella is the Michael Crouch Chair in Child and Youth Mental Health.

Rescheduled: Why is the contemporary public university struggling? Newfield describes what has undermined 21st c. public universities and a model to better serve the next 30 years.

This lecture is part of a three day Teaching and Learning Symposium, April 11-18. This tri-campus event showcases 黑料吃瓜网’s vibrant teaching community and 黑料吃瓜网 instructors’ new and exciting work in the classroom. Kevin Gannon, author of Radical Hope: A Teaching Manifesto, will invite us to develop a sustainable teaching practice grounded in an ethic of hope.

Christopher Newfield discusses the external pressures and internal policy failures that have undermined North American public universities in the 21st century.

In memory of Dr. HU Tai-Li, the evening features an in-person screening of The Return of Gods and Ancestors and a lecture by Professor Scott Simon about Dr. Hu’s work.

Screams have always been a component of Yoko Ono’s artistic practice, but rather than received as an act of communication, the dominant reception has been not to listen. Offering a meditation on the queer dynamics of Asian American grief, this talk lingers in and listens to Ono’s shatter and scream as she mobilizes affective expressions that are at times explosive, and at others depressive, to perform various modes of coming undone, shattering, falling apart, and breaking down.