
And no one did it better than Mudhoney, with perhaps at least some of Mark Arm's angst built up from his time in Terry Hall. But Mudhoney isn't the only band with ties to the ºÚÁϳԹÏÍø. Others include Soundgarden, , TAD, , Mad Season, The Posies, , Skinyard, and the list goes on and on.
Though the ºÚÁϳԹÏÍø might be known nationally for its research tradition or its football team, almost every major Northwest band of the last decade can be traced to the ºÚÁϳԹÏÍø in some form or another, with at least one member attending school at some point (graduating is another matter altogether). And the ºÚÁϳԹÏÍø's role in those who made up the scene but who weren't musicians--the promoters, radio disc jockeys, journalists or record producers--is even larger, and more significant.

Even the history of
Nirvana has a small ºÚÁϳԹÏÍø chapter. The band played a show at the HUB Ballroom on
Feb. 25, 1989, part of a bill that boasted "Four Bands for a Buck." It was one
of their most infamous local concerts. They not only trashed their instruments,
they also destroyed the HUB's PA system and hence were "banned for life" from
the ºÚÁϳԹÏÍø, or so said University administrators. Kurt Cobain
joked about it in interviews and the line "Banned For Life" ended up as the
title of one of their most famous bootleg CDs, recorded at another Seattle
show.
The ºÚÁϳԹÏÍø's musical roots stretch back far beyond grunge, though, and begin with entertainers like Stan Boreson (class of 1950) and Jimmy Oglivy of Dynamics (1964). Pre-grunge, the biggest band launched from the ºÚÁϳԹÏÍø campus was the Brothers Four, who formed at the Phi Gamma Delta frat house and scored a No. 2 hit in 1960 with "Greenfields." Like Kurt Cobain they wore sweaters, though their sound was decidedly square even in the '60s.
Also making waves during the '60s was Larry Coryell, who attended the ºÚÁϳԹÏÍø and went on to become one of the most famous jazz guitarists ever, helping to launch the jazz fusion movement. During the psychedelic '60s, most Seattle bands began at the ºÚÁϳԹÏÍø or at least had roots to the student underground movement. The Time Machine, Chrome Syrcus, and the Daily Flash all had connections to the ºÚÁϳԹÏÍø and played gigs on or around campus, usually complete with light shows.
By the time I began attending the University in 1975 (and working at The Daily), there were only a handful of local bands worth writing about, and most of them were folk or blues. I don't know if Jim Page ever registered for classes at the ºÚÁϳԹÏÍø but I'd say he qualified for an honorary degree considering how many performances he did in Red Square over the years. The Cowboys and The Heats were the big local bands during my undergraduate years, though both had ties to high schools rather than universities.
Kenny Gorelick, '78, went to the ºÚÁϳԹÏÍø during this era. It's probably safe to say that even including grunge, the saxophonist (who goes by "Kenny G" nowadays) is the most commercially successful musician to ever attend the ºÚÁϳԹÏÍø. Gorelick graduated, not as a music major, but with a B.A. in accounting.
The KCMU Connections
ASºÚÁϳԹÏÍø Concert Promoters Take on the
World
Today: The Changing Dynamic of
the Seattle Scene
Best of the
Northwest: Cross's Fantasy Band of ºÚÁϳԹÏÍø Alumni and Former Students
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